Aug
02


Sawed-out neck with 2-way truss rod + fingerboard.

The fingerboard is glued on.

The raw body has already been sanded.


The pickguard with the electronics.

Shaping of the top ....

... and the routings for the electronics and the f-hole.

The neck is fitted.

Glueing of the bottom.

The neck is glued in and the body + neck are finely sanded .....

... and assembled ready for playing, still without painting.




An elaborate "sparkling blue" paint job.


The masterpiece is finished ......
A customer order for a Rickenbacker-style electric guitar!
Jul
29


The flamed maple with the outlines for body + neck


With sanded surface

The neck is separated from the body.

The body is sawn out and the curves are routed.

Shaped armrest.

Routings for the pickups + bridge.

Here you can see the profile rounding.


Routing for the output socket.

Neckpocket

Routing for the neckplate

Neck with slotted fretboard

Starting with the neckprofile


scalloped fretboard


The Strat without finished surface

The noble Locktuners

Custom neckplate

The body is coloured with blue stain.



....and finally waxed





Completed with the custom fretboard inlays.
A custom strat made from a flamed maple board ....
Feb
09

Year of construction 1936

The Martin Archtop F7 looked like this at the beginning.

The neck is removed

The top is removed

Inside ...

A new flat top was build

The top is glued + varnished

... in sunburst + nitro lacquer

with new "vintage bridge"

Artificial aged finish

to keep the "vintage touch", ...

....the bindings are also colored
A customer wants his Archtop Martin guitar convert into a Flattop Steel-String guitar. Here are the individual steps.
Feb
09

Gibson Guitar with heavy topcrack

The braces are loose

Sketching of the destroyed area

Routing of the damaged area


new braces for the top

Reglueing of the braces

Fitting the part

Glueing the part

Stripping the old finish


The top is ready for the finish

The first layer is a transparent laquer

The sunburst ....


The last layer before polishing

Reglueing of the bridge

Looks fine

A Gibson Acoustic Guitar with a haevy top damage.
Sep
24

The sides are ....

..broken in different small pieces


The cracks are glued and fixed with strong magnets

The sides are stabilized by small spruce braces



The small mahogany pieces are fixed ...

...like a puzzle


The destroyed area is sanded ...

... retouched and ....

.... got a finish
that was a real mess ..... but we could help
Sep
24
A customer wants his classical guitar radical modified. We should install a bevel and very deep cutaway.
Sep
17
This has been one of our heaviest damages, but everything has become fine.
Sep
16

No, that's no distortion in the photo ...

... the frets are really so "weird"

A banjo tuner was used as the 7th additional tuner. Here you can also see the "sloping" nut!

The 7th string tuner from the rear

Also the slot of the bridge has to be modified.
Until recently this "José Lopez Bellido" was a normal 6-string guitar, for many years! However, its owner wanted a 7th lower string added. In order not to have to build a completely new neck, we loosened the old fingerboard. The next step was to make a new, slightly wider fingerboard....
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May
25

A sad sight....

....that drives every guitar player into despair ....

The break is fixed with a high-strength epoxy glue.

Then just sanded

and retouched with a special lacquer.

Then the retouching lacquer is sealed with transparent lacquer, sanded and polished.

Then the final assembly and the guitar owner is happy again!
A heavy complete broken neck at an Epiphone Les Paul. Unfortunately, this happens more often, but we can remedy this. After gluing, the neck is usually more stable than before. Meanwhile we have a lot of routine with retouching the break.